Argument

What is the waves’ opinion

Of the couple’s fight?

For before, during and after

The sea slid landward

Then slid back,

And white noise rolled

From left to right

Along the long shore drift.

And what is the breeze’s opinion

Of the argument,

High in the rustle-top palms

And blowing from the horizon’s depth

Where the sunset,

Kaleidoscopic in the clouds,

Breaks apart in hues of molten orange.

And what is the sand’s point of view,

Shifting and flat

With each sluice

And slap of the waves,

The sunset oranging

The mirrory film

Exposed at the ocean’s call back

And salty in-breath.

From The Indian Ocean

From the ocean’s far horizons

And through the haze

Of a lazy afternoon,

A breeze,

Sure in temperament,

Comes to presence

In the buffeted leaves

Of a salt-hardy species,

Rooted in sand.

My hair rustles

Like the broad-leafed trees

Of the tropics,

And my skin

Feels every pulse of the wind,

Every sun-warmed vibration.

The afternoon

Settles in the glimmering sea

And waves roll ever beachward,

Rising up

And falling,

Curled and called under

And then sluced forward

In the tide’s fluid sinking away.

I am yet again touched by constance:

The air, like reality,

Dynamic in flow,

The great liquid medium

Offering a soft percussion,

The leaves gently scratching

Their waxy neighbours,

Even the crows irregular calls

And eagles’ warbling cries

Speak of this singular theme

Of stillness in movement,

A happening in the heart of things,

A now containing all that could be.

What am I in this

Air-caressed and skin-warmed perception?

What is it that hears the sea

Cool upon the sand?

Who’s heart,

A sponge to the whole,

Drinks in the indulgence of the senses?

I have no answers

But for the slithers of light

Dazzling on the turbulence

Of the world’s

Blue-green globe,

Reaching beyond my understanding,

No answer

But for the soaring eagles

Expertly high on thermal wing,

No answer

But for the sway of branches,

Supple and bending

To and fro,

Chlorophyll fronds

Like my fingertips,

Feeling it,

Alive and inside

The whole

Of God’s own synthesis.

Cafe

Sitting in a cafe on a cliff

Overlooking the Arabian Sea,

Waves arrive,

Barrel and arrive again,

And an offshore wind strums

The palm fronds,

While a hippie flutters

Through guitar strings

Singing his spontaneity.

A fat, sleeping dog

Dreams of freedom

Beneath the table,

Limbs spasming,

Little yelps and joyful snorts

Heralding a youthful memory.

My love

Sits beside me

Lost in a book

And the hippie’s sweet voice

Just as I am lost

In the words of this Malabar place

That seem to come

As much from the palms’ rustling

And the waves breaking

As the instrument plucked

And the bitter coffee

Aromatic on my tongue.

Autumn Fisherman

True, this life is not perfect.

There are problems and difficulties

In the body,

In relationships,

In the wider world,

Spiralling into

Apparent madness.

But as I sit here

On a train

Watching the countryside streaming

Under a overcast Scottish sky,

I spot a tan and autumn fisherman

Wading in peat-brown fury,

His line arcing for trout or salmon

Or just the chill water, pulling,

And I am brought to the wonder

Of a grey morning

In which our fleeting touch,

Half a moment shy of his hook,

Is sweet with life’s meaning,

And for a second

I feel

It was not a silvery fish,

Taught and tugging,

But I

Vibrating on the end of his line.

Picture

In the floor to ceiling window

Opens the picture:

The river

Glassy with the sky,

Smudged with autumn morning,

A pale blue glaze

In which mists cling

And spiral,

Calling back

The chill night

That stilled the dew drops

To a crust

And freed the tattered leaves

To mulch beneath the trees,

Sending out

A sweet and heady breath

Of spores

As life withdraws,

Releasing jealousies,

Indifferent now

To the russet matter

Discarded.

A Traveller’s Sweet Moment

All the various people toing and froing with bags pause as heads tilt to orange lights capitalising arrivals, departures, long lists of destinations, or mill about waiting to board.

A deisel thrums, fuming up the place, and a tannoy mumbles. The sun shines, diffused through skylights stained with pigeon droppings.

And in this intersecting place which is no real destination, I find happiness in the happening of reality unfolding, suddenly miraculous as if the being in me, my heart, had melted like butter in the dish next to the half eaten croissant disintegrating on a plate.

And as the guard blows a whistle my insides break from something solid to a free flowing fluid made of nothing but lightness and space and the joy of dying, where all paradoxes balloon inside until my skin seems a transitory coating, a boarder and yet an open door, a bubble’s width transparency, in which, and through the world I momentarily glide.

Immigrant

In chill October England
the African waits incongruous
by the grey concrete divide
of a duel carriageway.

He wears a leopard skin hat
and the curly white beard of
an old man. In his hand,
a tool dangles like a nonchalant

machete. He has bare feet
and baggy shorts and has
come from the woods,
filled with cool heartbeats

of high latitudes. He hears
as he heard in his homeland:
the voices are different
but still voices, greener

and more tidal, sleeping
for half the year at least.
Yet his heart beats as full
of blood as when his calloused

feet scuffed red, dry earth,
and though all through his
eyes is a paler brother,
less rich, quelled

rather than vibrant,
the murmurings he feels
through his soles
are so similar in vibration

he cannot help but
accept the meek light
as home, and breathe in
the arrival of happiness.

 

copyright distilledvoice & Ben Truesdale

Cotswold Summer

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There is a moment in the Cotswold year
When the rolling wheat fields
Summon the golden hue of the stone
On which all is built:

It is the baked brown of a village
Ripe upon the history of the hills;
The colour of summer made hay
Adhering to the sparse pasture

And bitten at by shaggy sheep.
It is light to warm the heart
And grow roses from the sun
Still kept at dusk

In the envoys of the warm bricks
Radiating in ochre moods
As the jasmine clad night enfolds
All within its sumptuous scents.

© Ben Truesdale and distilledvoice, 2016

Tourist

At first they’re ghosts,
puffy eyed and white as money,
unpeeling themselves from the cocoon of the plane.

Then they are red as shellfish,
wearing shades and fear
as if their flight hibernation
were still clinging
and predators were crouched
behind every door.

Then after a few days of sun,
stupid in the heat,
they flick notes and order cokes
and beers before midday,
and lie idle with a book rested
on the bridge of their nose.

Then they eat out:
breakfast, lunch and dinner, dispensing currency as if
they weren’t sure what it meant,
fingers fumbling like a stutter’s punctuated speech.

And then their skin
becomes brown and golden
and they find their wits
and barter skill, becoming fluid.
Yet still they are adrift our money, and play careless with phones beyond our reach and watches from TV and jewlery adorning, as if they inhabited another world where affluence is a normal, everyday right
not a rarity for the people.

 

copyright 2016 Ben Truesdale & distilledvoice